This picture shows the first five layers of the painting that will eventually be hanging in my hallway, or if it’s really great… my living room! I thoroughly enjoyed starting this piece and It’d be nice if it were hung before summer arrived. I’ll probably brighten it up a bit before I finally declare it finished, but we’ll see. I’m literally painting as I go with this one. I have to be feeling when brush touches canvas.
I’ve obviously not been keeping up with this blog as promised, but these things happen. However, art has been happening and I’ve attended my life drawing classes as regularly as possible, eventhough I’ve just had to miss a few due to other commitments. Work is the biggest obstacle, but I’ve managed to attend two sessions so far and they’ve both been brilliant! It is, by far, one of the most friendly groups I have ever become a part of and I shall be attending the next one in less than a week (:
I have learnt so much in just two classes, and not just about the drawing side of things, either; The first thing I noticed immediately, was the importance of lighting. Something I’ve never really thought about until recently. During the first session, it came to my attention that the lighting was very flat, and as a novice ‘life drawing artist’ I found it difficult to capture the depth and shape of the human form. According to the organisers, there is sometimes a lamp set up to show definiton of shadows – I am particularly looking forward to a session like this and may even replace my pencils for white pastel on dark paper.
The second thing that came to my attention was the diversity of models. The first model seemed to have more curves than the second and each pose was very similar and natural-looking, whereas the second model had less curves, but a lot more interesting poses. It’s obviously a matter of opinion, but my preference so far, seems to lean towards the more dynamic poser. I like the challenge of attempting new angles and weird positions. I look forward to that particular second model posing again.
Thirdly, the seat you choose can also have a dramatic affect on the outcome of your work. There were some artists who could visually see more chair than body and at one point I could only see a mass of hair and bit of shoulder. I wonder… Is this up to the model to vary their position in order for a full class to view in turn? Should we, the artists, move to a more appropriate viewing area on each pose? Or should we try to ignore the chair and static objects, whilst making the most of our situation?
I imagine to the more experienced artist that I may appear not to have a clue what I am talking about -ha! but these are the little ‘thought marbles’ rolling around in my head. Where else better to talk about these things other than on my art blog?
I shall see how some of these questions unfold as the classes progress.
Okie dokie. This evening I shall post some images of my latest work. At least it may distract you from my appalling grammar, eh? 😛
Over and out.