drawing

Art Proposal

At the beginning of June I applied for a place at a Manchester art exhibition that will be happening this coming September, and it’s ace to say that somebody has said yes to my very first art proposal. I’ll only be having a single piece of art on display, but it’s all very exciting to me and I’m feeling very positive about the whole thing. Life seems to be on the up. My new job begins on 20th June, so that gives me approximately a week of free time between the termination of my current job and the next. It will be lovely to plan what I need to get done in terms of the exhibition and I’ll also be able to make some social plans around my new schedule. The new job will be regular working hours, Monday to Friday, which means after almost ten years I’ll finally be able to have some kind of structure in my life and I like that idea very much. Not only will this mean I’ll be able get some much needed sleep, but it also means I’ll be able to put aside set working hours for my art stuff, which is something I’ve never been able to do since getting a full-time job. Recently I’ve been working on the drawings below. They are loosley based on the proposal and will eventually play a significant part of my future applications. I’m still focusing on the theme of ‘Don’t Remain Static‘, which I shall shed more light on during the progress of this blog. Meanwhile, I’m going to continue my drawings and hope to post more updates of my work very soon.

zara1zara2zara3

 

 

 

 

 

 

 

MARCH/APRIL REVIEW

March was a productive month for doodles. I got into the habit of carrying my sketchbook everywhere and it resulted in lots of page-filling. The extra day I gained after dropping my work hours has proven to have a positive outcome as well, so that was a good move. As much as I love taking the bus to work, it’s nice to have less travel time and more hours to do creative stuff.

The idea for the diary didn’t workout, though. Whenever I seemed to search for a day to look back on there was a missing entry. Turns out, that in almost every journal, March has always been the month with the least entries. It was really odd. The only conclusion I came to was that the month of March might be a bit of ‘come down’ month. January is most likely going to be filled with “hope” for the year, Februrary might still be quite exciting and you may have even added some new goals to the year, but by March a few things may have not gone to plan already and you might have started to give up on ideas or letting those New Years Resolutions slip. On the other hand, it could also mean that your life has been so exciting that you’ve simply not had the time to follow through a page-a-day of writing. Unfortunately, it’s probably more the former rather the latter.

These patterns below happened by accident. They originally began as biro-doodles, and whilst it’s how they appear to remain, it took a while to line the shaded areas and they are no longer just silly drawings to me. In fact, I actually like them very much. I was getting lazy with my sketch booklast year, so to see a completed page makes me feel quite prolific. That’s good. I think I like fig. 1 best. It reminds me of something sciencey; like little molecules of blood flowing through my veins or something like that. I might attempt more of these patterns in colour.

zara 1

Fig. 2

 

zara 3

Fig. 2

 

April is almost at an end and things seem to be panning out okay. I’ve got a few work-related plans that should change my life for the better if it all works out and I’ve got some good ideas for producing some work of exhibition standard. I need to think about getting an art CV together which is going to prove difficult seeing as I’ve not gained any academic qualifications in that field, nor have I ever had anything exhibited. I think if I put my mind to it then something positive will come out of all this nonsense.

Anyway, I’ve since created a new art page, which is bascially a mini side project for fun. It’s a space to share my limericks and loony characters… it’s a bit silly really. You can check that page out HERE.  I’m not even sure what makes a limerick great, and mine are quite childish to be honest, but I like creating the troupe, some of which are loosely based on people I know or have met at some point in my life.

Now I’m super-excited about May and I’ll be posting more artwork soon…

 

 

Reflections on Life Drawing Class

I’ve obviously not been keeping up with this blog as promised, but these things happen. However, art has been happening and I’ve attended my life drawing classes as regularly as possible, eventhough I’ve just had to miss a few due to other commitments. Work is the biggest obstacle, but I’ve managed to attend two sessions so far and they’ve both been brilliant! It is, by far, one of the most friendly groups I have ever become a part of and I shall be attending the next one in less than a week (:

I have learnt so much in just two classes, and not just about the drawing side of things, either; The first thing I noticed immediately, was the importance of lighting. Something I’ve never really thought about until recently. During the first session, it came to my attention that the lighting was very flat, and as a novice ‘life drawing artist’ I found it difficult to capture the depth and shape of the human form. According to the organisers, there is sometimes a lamp set up to show definiton of shadows – I am particularly looking forward to a session like this and may even replace my pencils for white pastel on dark paper.

The second thing that came to my attention was the diversity of models. The first model seemed to have more curves than the second and each pose was very similar and natural-looking, whereas the second model had less curves, but a lot more interesting poses. It’s obviously a matter of opinion, but my preference so far, seems to lean towards the more dynamic poser. I like the challenge of attempting new angles and weird positions. I look forward to that particular second model posing again.

Thirdly, the seat you choose can also have a dramatic affect on the outcome of your work. There were some artists who could visually see more chair than body and at one point I could only see a mass of hair and bit of shoulder. I wonder… Is this up to the model to vary their position in order for a full class to view in turn? Should we, the artists, move to a more appropriate viewing area on each pose? Or should we try to ignore the chair and static objects, whilst making the most of our situation? 

I imagine to the more experienced artist that I may appear not to have a clue what I am talking about -ha! but these are the little ‘thought marbles’ rolling around in my head. Where else better to talk about these things other than on my art blog?

I shall see how some of these questions unfold as the classes progress.

Okie dokie. This evening I shall post some images of my latest work. At least it may distract you from my appalling grammar, eh? 😛

Over and out.